The TLP Editions BOX I contains the first 57 publications, published between July 2017 and October 2022, presented in a fluorescent yellow acrylic box. TLP Editions is a project by PhotoIreland bringing...
In 2018 and 2019 Helio León was invited to Marfa, Texas, by Marfa Open Arts Festival. This work is the result of his stay. These photographs reveal a fascination with...
Published on occasion of PhotoIreland Festival 2021. What can a potato tell us about ourselves? What does it say about the construction of national identity? What role can new narratives about the potato play...
You write stories of love into places and then it so often turns to pain. These places that have held me and the people I love become places of loss,...
Paradise Lost commemorates a lake and woodland, untouched and left to grow wild. Home to an abundance of nature, it was a place to be alone, to reflect. It was...
Situated in the struggle between the greed for riches and love for the natural world, this work centres on humankind’s desire to devastate and destroy for profit. It portrays an...
Paradise Lost forms a portrait of an idyllic environment, a place, which has offered refuge for humans, animals, and flora. The lake and surrounding woodland have been sold. There remains...
Rumours, secrets and absent memories can affect the stories we tell about ourselves and where we come from. Conflicting narratives, faulty recollections and admonishments often bring unsettling questions to the...
In these works, Sibéal performs “healing rituals” as a means of healing the mind and body. This body of work is where we first see her exploring performance within the...
Remembering the past always comes with an image or view attached. The Transcendence of Innocent Objects uses this premise to examine humankind’s continual forging of polymorphous stories. Exploring the remote...
Red Illuminates, a multimedia work comprising still and moving images, explores the concept of culture in socialist countries and how loyalty to the state is cultivated. The catalyst for the...
Let’s Take the Wrong Way Home is a collection of photomontage works representing landscapes that do not exist, an exercise in creation, destruction and after Vilém Flusser ‘playing against the...
Male DJ's get booked more for festivlas and club nights than females on a regular basis. In the years 2017-2019, only 20.5% of festival acrys were female, while 70.3% were...
On 30 April 2020, District Magazine, Junior Magazine, and PhotoIreland announced the launch of A New Normal, an open call created in response to an unprecedented event in our life-times:...
An ongoing series that conceptualises photography as an act of prayer with a central focus of the work being concerned with Irish histories. The work reflects on multiple concerns dealing...
During his two days in Ireland for the World Meeting of Families in August of 2018, Pope Francis made three public appearances, culminating in a mass in Phoenix Park. In...
In 2018, a brochure entitled “If War Or Crisis Comes” was sent to every household in Sweden by the government with the purpose of informing citizens how to act in...
In Finglas during the 1970s, an area known as Dunsink, a wild place mostly used for recreational purposes by the local community for walks and amateur horse racing, was destroyed....
South of Cancer is a topographical narrative in a non-specified location below the Tropic of Cancer. It is an environment of emergence and formation where knowledge of both the self...
The King's Road was built in 1694 by King Charles II as a private thoroughfare stretching from St James’ Palace to Fulham. In more recent years, it became known as...