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Revue Faire N°29, Alexandra Midal
Revue Faire N°29, Alexandra Midal
Revue Faire N°29, Alexandra Midal
Revue Faire N°29, Alexandra Midal
Revue Faire N°29, Alexandra Midal
Revue Faire N°29, Alexandra Midal

    Revue Faire N°29, Alexandra Midal

    €7.00
    DESCRIPTION

    Faire is a bi-monthly publication dedicated to graphic design. Produced by designers Sacha Léopold and François Havegeer as studio Syndicat, Revue Faire is aimed at students as well as researchers and professional designers. Each issue addresses a specific object or theme and is written by a renowned author.

    This issue of Revue Faire focuses the role of Nazi propaganda and dance and is written by Alexandra Midal. The British origins of synchronised dancing—invented in 1880 by John Tiller in a cotton mill—were quickly forgotten in Berlin, where periodicals established themselves as the expression of standardisation and American capitalism. The famous Tiller Girls had become the modern figure of the “New Woman”, performing in shows attracting more than four million spectators each year. A seduced Hitler asked for his own troupe: the Hiller Girls. Face to face, both periodicals look like strictly indistinguishable replicas, apart from their opposite messages. Synchronised dancing revealed the democratic and fascist forms given to the political discourse of the Weimar Republic when the NSDAP seized power. Between the power of forms and forms of power, amid the destruction of cities, decrees banishing the use of Fraktur, and the destruction of degenerate art, those dance shows, undoubtedly because of their popularity, showed that National Socialism was using insidious and invisible strategies to empty forms of their content only to maintain their appearance intact, thus revealing a shadow practice that, in the end, turned out to be just as barbaric as world-wide destruction or the burning of books.

    Published by Revue Faire
    Softcover
    32 pages
    210 x 297mm
    ISBN 9791095991182

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