Jeff Gibson’s relationship to art could hardly be described as narrow in its focus. For the best part of forty years, the Australian artist’s output has spanned continents and approaches,...
Very little about the photobooth experience has changed since its inception in the early twentieth century. There is a particular charm to its inherent simplicity and repetition. The framing is...
Memory is inherently porous and complex, as is memoriam. Our dealings with recollection and loss are personal, familial, and communal in their ambit. They shift and reshape with every conversation,...
As the title states, this book is not about cars. The automobiles only function as a leitmotif to guide the viewer through Gruyaert’s varied oeuvre, which is characterised by a...
The casual foundations of beach culture and beachwear are intrinsically recognisable to those who have spent time anywhere near the Australian coast. Chanel, selfie sticks, and illuminated screens are rarely...
OOF is the Art and Football Magazine. Football, you've heard of it, art too, painting and that. The two come together in one magazine. This is it, this is the...
Patrick Pound collects photographs as if on a dare. For thirty years, the New Zealand-born, Australian artist has been collecting other people’s photographs and placing them in his own peculiar categories....
