Irish Arts Review Winter 2024

How does the world form itself? How does it create itself as a world? And how do we understand the role of the visual in this regard? Most responses to...

From music writer Alex Coles, Fusion! From Alice Coltrane to Moor Mother traces the origins and legacy of blended musical genres by focusing on twelve dynamic collaborations. From Alice Coltrane working with...

Although often considered to be a fault or a glitch in the system, the event of hallucination is central to the models of image production generated by artificial intelligence (AI)....

To build is to destroy, writes Charlotte Malterre-Barthes. From steel bolts to concrete blocks to wood flooring to polyester insulation panels, every single component of the built environment is the...

Challenging Institutionalization explores the heterogeneous processes of PhD and postdoc supervision in the arts to formulate shared horizons. The publication is structured around a series of lectures and conversations that took...

  What parallels are there between a human pranayama practitioner and a migratory bird in heavily datafied environments? And what can they tell us about the need to reorient our...

Abandoned Prose is a publication with texts by Nathan O’Donnell and design by Clare
Bell. It is the outcome of a Samuel Beckett Creative Fellowship at Trinity College Dublin,
part of a...

Inspired by political campaign posters from the Polish 2023 parliamentary elections, The Powers That Be photobook contemplates the links between electioneering and political outcomes. Whilst travelling around Poland researching coal mining...