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In the course of a four-way discussion Béatrice Balcou talks about the creation of her Untitled Ceremonies – low-key performances presenting works by other artists – and her Assistance Pieces and Placebo Works; and in doing so reveals how she involves us in a “community of attentiveness”.
In performances, sculptures and installations Béatrice Balcou creates situations offering innovative exhibition rituals that challenge our way of looking at and perceiving objects and the relationship between working gesture, care-giving gesture and choreographic gesture.
Initiated in 2017 by Julie Pellegrin and the Centre for Contemporary Art team in collaboration with Captures éditions, Digressions is a series of interviews (bilingual French / English) that accompanies the programme. Through conversations with guest artists, the notebooks give behind the scenes access and bear witness to reflections, research, methodologies and sometimes the doubts and the trial and error that feed the working process. By giving a voice to artists, the entire collection brings out very singular voices that resonate with each other and explore shared questions around the performance and creation of exhibitions, the physical and political engagement and the decompartmentalization of disciplines.
For each issue, the colour of the cover paper is changed, with or without embossing, to distinguish the publication in relation to each artistic project. The inside pages are printed in one pantone tone and the switch to English language materializes in a double page image drawn from research work. Postcards from the exhibitions are printed and inserted randomly into the notebooks like bookmarks. Claire Moreux’s elegant and dynamic layout follows the meanders of reflection by inviting the reader to navigate, literally, through the text.
Published by Captures
Edition of 500
Softcover
32 pages
215 x 135 mm
ISBN 9782955877876
